Contained in the thoughts of the Paris Olympic cross-country course-designer

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  • Paris 2024 Olympic cross-country course designer Pierre Le Goupil has shared recent nuggets about what followers and riders can anticipate from this summer season’s monitor at Versailles.

    Pierre was interviewed by Paris 2024 eventing co-manager Laurent Bousquet in the course of the FEI eventing seminar on 20 January. He outlined his thought course of behind designing the Olympic monitor, how he has labored with the broader sporting and Versailles Park crew, and the general imaginative and prescient of showcasing one of the best photos of the game whereas testing one of the best on the planet.



    “Designing in Versailles, like in every single place, is all about telling a narrative – we have to converse to the viewers,” stated Pierre, including that there can be an excellent proportion of pure fences, utilizing floor undulation, to check riders’ expertise “in a spectacular however truthful competitors”.

    “On the game facet it should be difficult sufficient and a real four-star query to check one of the best and resolve the leaders, with nonetheless an excellent probability for everyone to complete. To realize that, the very first thing to contemplate is an effective movement of the course.

    “The specificity of our discipline of play in Versailles is that we’re in a typical French public woodland; for many who know the place they know that it’s stuffed with geometric layouts, passes and avenues with the Grand Canal within the center.

    “So this can be a very explicit context if we examine with many of the venues that course-designers are used to coping with, take into consideration Le Pin, Burghley, Pratoni, Lexington, and so forth, the place the pure open, undulating land makes the job very completely different.

    “Fortunately, we’ve obtained the suitable to make use of a little bit of the undergrowth and the reliefs (slopes and banks), and in some locations to create what we have to make it very spectacular.”

    H&H has beforehand lined testing of the pontoons on the Grand Canal, over which horses will gallop, plus how learnings from the London 2012 Olympic web site in Greenwich (additionally a UNESCO world heritage web site) are being utilized in Versailles.

    Pierre has been utilizing 3D imaging as a manner of bringing his concepts to life, which has proved a “determinant software” in his communications and collaboration with Versailles and the broader crew. He defined that this has meant the related persons are in a position to clearly visualise what he was suggesting, which has been essential in getting the go-ahead to make his plans for the protected panorama a actuality.

    Security and welfare are paramount, with frangible know-how used. Severe planning has additionally gone into the potential for excessive temperatures and numerous rain – or each. The monitor makes use of the “magnificent timber”, so the course is principally within the shade, and groundwork has been undertaken to forestall the going from changing into too deep.

    By way of the course itself, followers can anticipate to see a large number of choices at mixture fences.

    “In some circumstances it received’t be obligatory direct routes versus sluggish routes, however extra like a number of alternative questions,” Pierre stated.

    He added that this may imply riders should make selections and anticipate sudden conditions, which inserts into his goal of making curiosity.

    “That is a part of the story we’re telling: what choice are they going to take?” he stated.

    “It’s been an ideal honour and there’s nonetheless lots to do. It’s a selected showcase that offers us a rare alternative to indicate our sport at its greatest and by chance the crew round me is powerful and can assist to supply this.”

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